The ACC employ high calibre music staff to give choristers a quality music and choral education. The tutors are supported by our wonderful team of professional accompanists who also provide the dedication and love of teaching music to children of all ages.
Daniel graduated from the Australian National University, where he was awarded the Degree of Bachelor of Music with Honours for performance studies in Classical Voice. In 2016, he was awarded the Degree of Master of Music by the Royal Welsh College of Music and Drama, majoring in choral conducting. Upon graduating he received the Fukisawa Male Voice Choir award for the highest grade for his final Masters conducting recital.
Daniel has to date been the master of several choirs in Canberra, a voice and piano tutor, a baritone soloist, an accompanist, and a published composer, as well as an arranger and orchestrator. Relocating to Melbourne in 2016, Daniel is currently the Artistic Director of Choristry, an auditioned adult choir in Melbourne. At the ACC, during the last three and a half years, Daniel has been the tutor of the Trebles Choir, and during 2017, he was instrumental in the re-establishment of the Harmony Choir, which he tutored for several months.
Daniel’s choral compositions and arrangements have been performed by school, university, community and professional choirs in the United States, the United Kingdom, Europe and in Australia. He was selected as one of only 8 winners from 918 worldwide entries to record his composition Come Sleep, for the Abbey Road Anthem Competition in 2011, to celebrate the internationally famous studio’s 80th anniversary. This recording was conducted and performed by Eric Whitacre and his choir.
In addition, the ACC itself has to date commissioned Daniel on several occasions to compose music on its behalf. He composed the music and lyrics for Moon Flight (soon to be published by a leading American choral publisher in 2021) and An Australian Christmas (which the ACC co-commissioned with two other parties). In 2020 he was commissioned by Sydney Philharmonia Choirs to compose a work to commemorate their 100th anniversary. This too will be published in 2021/2022. He has also published treble repertoire with Hal Leonard including, A Red Robin, and his popular arrangement of Colin Towns's, Perfect Day.
Principal Accompanist and Tutor of Harmony Choir
The Australian pianist, harpsichordist, counter-tenor and lecturer, Dean Sky-Lucas, graduated from the University of Newcastle Conservatorium of Music, NSW.
Since graduation Dean Sky-Lucas has been the accompanist to the wind and opera departments of the VCA at the University of Melbourne, teacher and lecturer at the Melbourne Conservatorium, and for four years was an associate artist with the Australian National Academy of Music (ANAM). He departed ANAM to pursue further studies in speech pathology at Latrobe University, placing him at the forefront of vocal performance from a biomedical perspective.
Dean Sky-Lucas has performed harpsichord, celeste, piano and organ with the Melbourne Symphony Orchestra (MSO), Orchestra Victoria (OV) and Tasmanian Symphony Orchestra (TSO), and regularly tours New Zealand, Australia and internationally as a soloist and chamber musician on keyboard and voice. He is widely known to Australian audiences through numerous national broadcasts, both live and pre-recorded with ABC FM, Sunday Live and Radio National, Radio New Zealand and the BBC. He became known in high prominence as a repetiteur and vocal coach at the Victorian Opera and with Australia's most lauded opera singers.
Notable festival engagement with 8 appearances in 10 months during 2003, include the Melbourne, Adelaide and Brisbane International Festivals. During 2004, Dean performed the role of the singing pianist in ChamberMade Opera's Recital in the USA, the Melbourne Season and the Victorian tour. He was also the alto soloist in the Australian Ballet's season of La Bella Figura with Orchestra Victoria.
In 2005 Dean Sky-Lucas performed the lead role in George Frideric Handel's Orlando, the title role in the 2006, Australian premiere of Antonio Vivaldi's Guistino, La Peinture in Charpentier's Les Arts Florissantes and the World premiere of a work written for viola da gamba consort for the Royal British Music Society by Australian composer Natalie Williams, in the same year. During 2005, he recorded a CD of Italian Baroque music with Louisa Hunter-Bradley and David MacFarlane which was received with critical acclaim.
Dean Sky-Lucas has continued to perform in this combination in regular guest appearances in the concert series presented by Past Echoes both in Melbourne and Sydney. For several years Dean has toured across the nation as a pianist with ensembles including Ensemble Troika, AnnaLisa Kerrigan's "Ireland" and the Kurrawong ensemble. He performs widely with early music ensembles in Australia and his repertoire is vast, encompassing the 13th through 21st centuries. He combines the versatility demanded in early music performance practice with the fastidiousness that new music requires and as such is respected by peer and patron for the illumination brought forward in new and old scores.
Dean Sky-Lucas was an artist-in-residence at the University of Auckland in 2008 with the string, collaborative piano, voice and early music departments, featuring 3 recitals in as many weeks with master-classes and individual lessons. Following 15 years in Melbourne, he accepted the position of Lecturer and Coordinator of Collaborative Piano at the School of Music, University of Auckland, New Zealand and fulfilled this position from 2010-2015. During this placement Dean won University research grants that allowed him to make CD recordings of New Zealand music for violin and piano and a recording for bassoon and piano of Australasian music written in the last 20 years, which garnered a 5 star review from New Zealand's classical music critic, William Dart.
Dean regularly appeared on Radio NZ as their Opera critic and he was a much sought after accompanist in the NZ choral organisation, Choirs Aoteoroa, with whom he accompanied Voices New Zealand - the professional ensemble, and toured often with the National Youth Choir throughout the North and South Islands and internationally throughout Czechia, North France, England and Singapore to critical acclaim including a live broadcast on the BBC from St John's Smith Square, London. Every concert in that European tour of 2016 was met with standing ovations for the National Youth Choir with Dean as accompanist and Deputy Music Director.
Dean performed and recorded as a counter-tenor and pianist in new works during these years for esteemed Kiwi composers.
Dean returned to Melbourne at the close of 2016. He has regularly tutored and lectured at the Sir Zelman Cowen School of Music, Monash University since returning from New Zealand. His contribution to the School's Classical Music program in 2020 as accompanist, voice teacher and vocal ensemble tutor earned him a Dean's Sessional Staff teaching award for contributions to the teaching environment.
Dean is the conductor of the Harmony Choir, and the accompanist to the Senior Choir at the Australian Children's Choir. He accompanies the Box Hill Chorale and the Melbourne University Choral Society (MUCS) and joined the National Australian Boys Choir as their accompanist in 2021.
Dean has been the Director of Music and head repetiteur for several of the productions launched by ACoCo Opera (formerly known as Gertrude Opera) including their award winning season of "The Handmaid's Tale" in 2018 directed by the outstanding, Artistic Director, Linda Thompson for the Yarra Valley Festival.
Treble Choir Tutor
Beth was born and raised in the US but has lived nearly half of her life in Australia. She received her bachelor’s degree in music and French from Luther College in Decorah, Iowa. Luther College has one of the largest undergraduate liberal arts music programs in the US and has an especially rich choral tradition. Beth participated in many ensembles as singer, flautist and pianist. She was the Presser Scholar of her music class, an honour given to the top student as voted by the teaching faculty, based on academic excellence and musical achievement. She is also a member of Phi Beta Kappa, America’s oldest honour society recognising academic achievement across a broad range of subjects. Beth received her Master of Music degree in piano performance from the University of Wisconsin-Madison where she studied with Howard Karp and was an undergraduate teaching assistant.
Beth is equally passionate about teaching and performing. She has presented “Tracing My Musical Family Tree”, a lecture-recital considering the notion of vocation as teacher and performer and reflecting on her teaching lineage which extends back to Beethoven and Liszt. Beth has a special affinity for accompanying. As accompanist she has performed with distinguished tenor Thomas Edmonds AM and has played live on ABC Classic.
Beth’s experience is wide-ranging but is all driven by advocacy for the power of live music-making. Her work has included accompanying a Gilbert and Sullivan troupe, directing a children’s music school, being musical director for community theatre, conducting church choirs, conducting community choirs, adjudicating at eisteddfods and singing with the Melbourne Symphony Chorus.
Beth is currently a piano tutor and staff accompanist at Ivanhoe Grammar School where she also spent five years conducting primary, middle years, senior years and staff choirs.
Intermediate Choir Tutor
Harmony Choir Accompanist
Isaac Mouskovias is an accompanist, repetiteur, and piano technique specialist. As a precocious young pianist, Isaac began working professionally as an accompanist at the age of 14, under the guidance of career accompanist and teacher, Catherine Hall. At 16 and half way through Year 11, Isaac was accepted into a Bachelor of Music, and as such ceased high school study and began his tertiary education. During this study, Isaac continued to work as an accompanist and teach over 40 students per week. In this time, Isaac also passed his Associate Diploma in Piano Performance with a distinction, making him the first pianist in 10 years in South Australia to achieve this grade. Isaac later continued his piano studies with Eleonora Sivan.
In early 2017, Isaac packed up his life in Adelaide and made the move to Melbourne, to expand his career. After a two year stay, Isaac left his tenured accompanist position at Brighton Grammar School, to take on a position as college accompanist and repetiteur at Mentone Girls Grammar School, and to focus on growing in Melbourne as a freelancer. Isaac has also worked as an accompanist and repetiteur at St Michael’s Grammar School and St Margaret’s & Berwick Grammar School.
Being a classical vocalist himself, Isaac has a particular affinity for vocal accompaniment; especially lieder and art song. As a passionate educator of the piano, Isaac aims to create pianists who play with their mind, heart, and body in co-ordination, and through his teachings of the Taubman approach, ensures they play with absolute freedom and beauty of tone.
Isaac also holds a Certificate in Vocal Science, an Associate Diploma in Classical Voice, a Professional Performance Diploma in Piano Accompaniment, a Diploma in the Alexander Technique, two Licentiate diplomas in Piano Accompaniment, and a Master of Arts (Music Performance) majoring in Vocal Accompaniment and Injury Preventative Piano Technique.
Melody Choir Tutor and Accompanist
Tomas is originally from Wollongong, Dharawal Country, and acknowledges the Dharawal people, and that sovereignty was never ceded. Tomas studied at Victorian College of the Arts (VCA) completing the Music Theatre Foundation Program (2015), and the Bachelor of Fine Arts (Music Theatre) last year. He was the recipient of the Nancye Hayes Scholarship which he used to further his studies in London.
He was a member of Conservatorium of Music Sydney Chamber Choir, Polyphonic Voices (where he has performed with the MSO as well as Patti Lupone), and was the Tenor Choral Scholar at Christchurch South Yarra. He has also been a guest Tutor/Conductor for the Melbourne Contemporary Choir.
Tomas’ theatre credits include The Music of AR Rahman (Melbourne Symphony Orchestra and Polyphonic Voices, AsiaTOPA, 2017), Vivid White (Ensemble, Melbourne Theatre Company, dir. Dean Bryant, 2017), A Chorus Line (Bobbie and Paul Understudy, VCA, dir. Tyran Parke, 2018), Patti Lupone - Don’t Monkey With Broadway (Hamer Hall, M.D. Joseph Thalken, 2018) and Into The Woods (Steward and Baker Understudy, VCA dir. Gary Young, 2018) and When The Light Leaves (Dan, La Mama Theatre and Citizen Theatre, dir. Jayde Kirchert 2019).
Tomas is also a composer and is undertaking the Masters of Music (Composition) at the Sydney Conservatorium. He recently won Best Original Score at the Vancouver Island Short Film Festival for his work on Behind Barres, and composed the film score for Endo Girl, which will be coming to film festivals soon. He also composed the score for The Australian Ballet’s New Ghost, which was a part of the Bodytorque.digital season in 2020.
Gen’s involvement with music was inevitable. From a family of musicians, she joined the Australian Children’s Choir as a chorister at the age of 7. In 2009 she entered the Senior choir and enjoyed 9 years of incredible music experiences including tours, CD recordings and performances. Throughout her time in the Senior Choir, she had opportunities to work with musicians both in Australia and around the world. Some highlights include meeting some of the finest choirs and conductors as part of the 2011 International Children’s Choir Festival in the United Kingdom, touring through Austria and Germany, travelling up the East Coast of Australia, performing at National sporting events and working with artists such as Missy Higgins, Normie Rowe, Casey Donovan and more. Gen finished performing with the Senior Choir in 2017, and joined the staff as music support, then began to teach in 2021.
Currently, Gen is studying for her Bachelor of Education (Early Year and Primary), and is very excited about the opportunities provided by the Australian Children’s Choir for her future teaching years.
Throughout her schooling, Gen has been a member of several ensembles including; Concert Choir, Chamber Choir, Percussion ensemble and Symphony Orchestra. Gen has also achieved AMEB qualifications in classical singing and percussion.
Following in her parents footsteps, Gen has also been in many musical productions. Some credits are; Queen Stephanie in Sleeping Beauty, a Sharpette in High School Musical 2, Pops in Kiss Me Kate, Pearl in Cabaret, Sylvie in Oklahoma, Poppy in Noises Off and ensemble in Spamalot.
Having been part of the ACC for over 17 years has made Gen very passionate about continuing the incredible tuition she received during her years of service, and she is proud to be part of a talented team who work to support their choristers in every aspect of their musical education.